Volume 13: January 4, 2021 Inviting the Devil to the Stage By London Johns In Act III Scene 3 of The Tempest, Ariel appears like a harpy, clasps a banquet table with his wings, and vanishes it, accompanied by thunder and lightning. How was it possible for actors to perform...
By Olivia Noble, Yale University Edited by Jisoo Choi, Esther Reichek, Aaron Jenkins, Daniel Ma, Daniyal Mirza, Katie Painter Near-and-Not-LostNear-and-Not-Lost.pdf888 KBdownload-circle...
By Avital Smotrich-Barr, Yale University Edited by Hubert Pach, Kevin Xiao, Daniel Blokh, Emma Gray, Maya Ingram, Sharmaine Koh Mingli Abstract From 1959 to 1991, the United States Information Agency (USIA) sent a total of nineteen exhibits to the Soviet Union as part of a series of larger Cultural Exchange...
When Rape was Legal: The Politics of African American Women’s Bodies During the Reconstruction Era [//www.slideshare.net/secret/F2wA8kUs2c980w] from YHRUploads [https://www.slideshare.net/YHRUploads]...
Volume X, Fall 2020 By Dimitri Antonio Vallejo Edited by Daniel Blatt, Mathis Bitton, Grace Blaxill, Isabella Smeets, Cynthia Lin, and Zahra Yarali PDFThe-Sherden.pdf3 MBdownload-circle...
Written by Adrian J. Rivera, JE 20' Advised by Professor Jay Gitlin Edited by Lica Porcile, BF 21', Grace Blaxill, PC 22' Table of Contents Introduction Section 1: Beginnings, 1889 - 1939 Biographical Sketch: 1889 – 1926 London Years: 1926 – 1939 Section 2: Fringe, 1939 – 1951 Tyler Kent,...
