Volume 23: March 20, 2021 Robert Devereux’s Ides of March By London Johns In 1599, Shakespeare’s Julius Caesar was performed for the first time at the Globe Theater. Audiences watched as a military general fed off of the adoration of a mob, was tempted by the promise of...
The Hatch and Brood of Time Volume 10: November 30, 2020 By London Johns Newstok, Scott. “Front Cover.” Princeton University Press, 2020, press.princeton.edu/books/hardcover/9780691177083/how-to-think-like-shakespeare. Every morning, high school students across the country sit down at home, in front of desks or kitchen tables, headphones on....
The Hatch and Brood of Time Volume 9: November 23, 2020 By London Johns There are few mentions of the American colonies in Shakespeare’s works. Throughout all of his plays, the word “America” appears only once, in The Comedy of Errors; Antipholus and Dromio of Syracuse mock a “spherical”...
The Hatch and Brood of Time Volume 8: November 16, 2020 By London Johns Music is a key aspect of Shakespeare’s plays. All but one of his comedies and all but four of his tragedies included songs or stage directions about songs, and songs were even included in three...
Isabella Smeets sits down with Bebe Thompson, author of Statues of Liberty: Willy Meyer, William Halsted, and the Development of the Radical Mastectomy from 1880 to 1920 [https://yalehistoricalreview.ghost.io/statues-of-liberty-wily-meyer-william-halsted-and-the-development-of-the-radical-mastectomy-from-1880-to-1920/] . Isabella Smeets (IS): To start off, I was wondering what inspired you to write about the development of...
Isabella Smeets speaks with Kelsea Jeon, author of "This 'Order' Must Be Annihilated: How Benjamin Austin's Call to Abolish Lawyers Shaped Early Understandings of Access to Justice, 1786-1819 [https://yalehistoricalreview.ghost.io/this-order-must-be-annihilated/]. Isabella Smeets (IS): Kelsea, I was wondering what inspired you to write...
