Written by Polly Moser, Stanford 22' Edited by Fiona Benson, Yale 22', Meghan Gupta, Yale 21', and Mary Tate, Yale 21' For many, an image of the archetypal eating disorder patient is easy to bring to mind; she is female, White, young, and painfully thin. This...
Volume 11: December 7, 2020 John Shakespeare the Wool Dealer By London Johns What is known about William Shakespeare’s childhood has been pieced together from scraps of information and much guesswork. Significantly more can be discovered about his parents during the years in which William Shakespeare was a child,...
Daevan Mangalmurti sits down with Rick Chavolla for The Cultural Histories Project. This venture explores the university's changing cultural landscape over the last century, from the diversification of admissions and the tumult of the 1950s and '60s to ongoing efforts to expand perceptions of who Yalies are...
Volume 23: March 20, 2021 Robert Devereux’s Ides of March By London Johns In 1599, Shakespeare’s Julius Caesar was performed for the first time at the Globe Theater. Audiences watched as a military general fed off of the adoration of a mob, was tempted by the promise of...
The Hatch and Brood of Time Volume 10: November 30, 2020 By London Johns Newstok, Scott. “Front Cover.” Princeton University Press, 2020, press.princeton.edu/books/hardcover/9780691177083/how-to-think-like-shakespeare. Every morning, high school students across the country sit down at home, in front of desks or kitchen tables, headphones on....
The Hatch and Brood of Time Volume 9: November 23, 2020 By London Johns There are few mentions of the American colonies in Shakespeare’s works. Throughout all of his plays, the word “America” appears only once, in The Comedy of Errors; Antipholus and Dromio of Syracuse mock a “spherical”...
